2013 was a big year for me.  

I had been on a hiatus from painting for a few years due to my mom fighting cancer. For two years I took her to oncologists and to one chemo treatment after another. I had 3 young children and she had been the reason I had painted at all for many years. If it had not been for her help, I could not have met clients and kept painting when my kids were young. Once I lost her, I could not paint for a long time. Just walking into the studio left me alone with too many thoughts and I just could not create. 

Then one day in 2013 I saw a call for the IAPS (International Association of Pastel Societies) international exhibition and convention. I had never gone and always wanted to attend.  I figured this was a good way to force myself to meet a severe deadline (it was in two weeks) and jump back into painting.  Many of you may know and have read before about how I set up my easel in the bathroom and bribed my son with candy. It not only got into the exhibition, but won the Gold Medal. After that I started painting again seriously.  Entering national and international shows and exactly 2 years later I was back at the IAPS convention and this time won my first “Prix des Pastel” Best of Show in the Masters Circle Division. 

So a few months ago I was asked by Anne Hevener, the editor of the Pastel Journal, to write about the most pivotal painting of my career. Of course, I chose this one.  My son at age 6 in the bathtub. I have told the story about it before, and I am sure most followers have seen this painting already. It really did feel like it launched my career and from that point on it gave me a confidence that I never knew before. I can’t believe it was so long ago already. It is crazy to think my mom never saw it.

The issue of the magazine arrived yesterday. The same day this little guy with the red ears drove off to college. Life is more than a little ironic. I hope you can catch the article or perhaps enlarge it and read it from the photo below.  

I think I might be putting painting on hold again for a little while though. It’s hard to be alone with my thoughts again. Ah, grief. Different this time, but still real. I know new work will emerge. My reality has changed again. 

 But when I step back up to the easel, look out. 

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