“You’ll realize that you’ve always been able to speak a secret language, one that has no boundaries, because you have no nationality. Art is your homeland”

-Fredrick Backman, from the novel, “My Friends”

 

I have been speaking this summer about a restlessness I have weirdly had recently. Starting and stopping paintings. Changing mediums. Working early. Working very late. And apparently, I am not alone. I have spoken to many artists lately that have been sensing the same thing.  Hard to focus. Hard to start the creation process. Maybe it’s summer? Maybe it is all the chaos in the world? And yet, there has always been a tiny voice, with much certainty, whispering, “Keep going.”  

But to where? I’m still not sure, but this past weekend I got another bubble of inspiration. Watercolor paper and paints. I have been teaching watercolor to a few of my mentorship students, and I think it is whispering to me too. For the last year or so I have been thinking that I needed to find my watercolor brushes and palette in storage and immerse myself in sodden paper and blooming pigment. Clearly the opposite of my lovely dry and dusty pastels, but maybe….?

Many, many years ago I painted only in watercolor. I found a love for them in college that stuck for a while. And because I love to find the hardest thing to do, I later started creating watercolor commissions of children. I regret I only have a few decent original watercolors left from that time in my life, so I thought I’d share a few. Above is my oldest daughter playing the violin when she had orchestra class in school, and the other one below is also of her, though much younger, playing with large, adult ballet shoes when she was about 18-months old. This one is called “A Mother’s Hope” because so many of my young mom friends at the time hoped we would have a ballerina on our hands. No luck.

 My son, not one to mince words, says he likes my pastel paintings better, so why am I dabbling around in other things? Trust me, I have asked myself that question too. But the voice still says, “Keep going.”

I have been painting for longer than I can remember now. My entire life. I have a sketchbook from when I was 9 years old. I don’t remember creating it. But I do know myself- when I have bounced around and tried different approaches, different subject matter and studied artists very different from myself, it somehow translates into future work. So the language I am using is not “pastel technique” or “watercolor washes” or even “painting,” rather, it is the language of art itself. The creation, frustration and completion of marks ticking across time.

And as long as I am creating, I am good. Even if it is crap. (oh, I am such a philosopher) Making time for art made me a better mother. Painting for clients made me a better artist. Painting for myself made me, well, just better…and gave me insight and refinement into that illusive artistic goal- vision.

So I just ordered an Arches watercolor block and some larger sheets for my stretcher board. I literally can not wait for them to arrive. There is a tactile joy that comes from running my hand across a 140-pound watercolor cotton surface. Happiness in dipping a clean brush into clear water and then picking up saturated pigment. It is the toughest medium. No doubt. You have control, but not really. It is watercolor after all, and it it unyielding, unforgiving and yet undeniably addictive.

I found one more image of a watercolor from that time which is below. I wanted to find others, but I don’t have images of the rest of them any more. Long story short, my ex-husband, in an act of total cruelty, turned off access to all my photos stored online. Years and years of images gone. Despite multiple court orders and asking for the last seven years, he still refuses to give me access to photos of my children when they were young, images of my paintings or of my deceased mother. Unless images were printed out and put in frames and in photobooks, I have very few photos from before 2017. And before you think that maybe I should not share this little personal tidbit, this is my truth, and it affects me, even now, like trying to find a few old photos of my work, and I am ok with anyone knowing what happened and I share it as a warning to others. 

These paintings are like seeing old friends, so I guess I will have to create some new pals.

I am still on a path where I am still not sure where I am going…. but I am still in my homeland.

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