End Chapter. The Commission. First Impressions
Years ago I heard an artist talking about the lesson he learned while delivering a portrait….. He drove to the client’s house with a finished painting and had even framed it nicely under glass. He met the client at the door and the client then went with him to...
read morePart 5. The Commission. Getting Dusty
It is time to get my hands dirty. As I work I keep beside me my “minders”- all the things that I have worked on up until this point to keep the paintings on track- sketches, intention statements, color studies, selected color harmony and notes from the photo session....
read morePart 4. The Commission. Poster Studies
So after the best photos are picked out with the client, I ruthlessly go through them at home and always ask myself as I go along…"Is this them?”… “Is this the child I met?”... And also, “ Is this how they would want to be remembered 20 years from now?" “Will family...
read morePart 3. The Commission. Preventing the “Dinner Plate Portrait”
Kids are fun. Their personalities are so apparent even at an early age, so when I go to take photos of young children, it is best to get to know them a bit first…. When painting small children, good photo references are crucial. They will not sit still for a painting...
read morePart 2. The Commission. Cookies and Contracts
There was a story going around for years of a woman who was dining at a department store restaurant and at the end of eating one of the store's "famous recipe" cookies, she asked for the recipe….. She got a copy of the recipe, but when she got her bill she saw that...
read morePart 1. The Commission.
Most artists have a love/hate relationship with commissions, because they create a threesome- the artist, the artwork and now the client. If you know my work only from facebook, exhibitions or magazines, you may not realize that I have done a lot of commissions. I...
read moreFingerprints
There is a gremlin in my house. It leaves fingerprints all over the place. Especially on door jambs, light switches and on handles…... I think in most homes, the mom would scold the kids of the house, but I know better. It is just me. I am afraid I am the guilty...
read more“He’s Dead, Jim”
Sometimes you just know the death of a painting is imminent. You try and try to pretend that he is a main character in your work, that he has a phaser for a reason, but no… he is the extra that was meant to die so that the others can learn from his death….. I have...
read moreThe Art Police
My daughter was home from college this weekend ( hooray!) and she had some friends over for a study-fest Saturday night. While making curry, the girls got to talking about the awful teachers they had when they were young….. Kind of half-listening, I heard about how in...
read moreAurora
"To everything (turn, turn, turn) There is a season (turn, turn, turn) And a time to every purpose, under heaven….." The words to this song (from the Byrds, Pete Seeger, and the book Ecclesiastes) has been stuck in my head for the past few weeks. It started when we...
read morePancakes
I am not a weepy person. I think the years have coated me a bit in a tough, cynical shell, but sometimes I come across a painting that breaks through my armor, reminds me of why I became an artist and makes me want to run to my easel. My ideas suddenly bigger than I...
read moreThe Shape of Things
Composing simple shapes in a painting is one of the most important things you can do compositionally. And the hardest…… Having variety in shapes leads to a more interesting painting and to a more sophisticated-looking design. Here is a painting I did a while ago…...
read moreA Fairy Tale
Once upon a time there was a thought. She was small and wispy, just a ghost of a form. She was born in the kitchen among a scribble of words. She grew into a hope. Scrawny with scarred knees, running into consciousness whenever she could. A reminder of what could be....
read moreNo Easy Button
Ok. Time for a vent about a pet peeve. I was recently online and ordering an art book and found myself amazed at how many books have “Made Easy” in the title. “Watercolor Made Easy”, “Pastels Made Easy”, “Abstracts Made Easy”, “Pencil Shavings Made Easy.........
read more“Let it go…”
I have often heard over the years…."How do you do it all? You have 3 kids, 2 cats, a beast of a house, a husband that runs a company, family health issues and yet you still paint…" Well, in the words of a famous Disney song, I have learned to "let it go". There is...
read moreRed Tape
Pastel can’t be mixed like regular paint. We pastellists typically have to hunt and peck for the correct hue, value, temperature, tint and chroma in our available sticks. This can lead to the never-ending curse of trying to find the “perfect” stick and a sense that we...
read moreCompanions
My 16-year old daughter in all her wisdom has recommended to me that my blogs can’t all be about technical stuff, so in that vein, I am talking this week about my companions in the studio. So if you don't like photos of cute kids and cats, you may want to skip this...
read moreGliders, Burners, Builders and Blenders. Part 4
Blenders Ah... Blenders. I use Blenders like the RED sprinkles among the other sprinkles on the frosting. Yep, very sparingly. This works for me and takes some planning, since I can get carried away with them. Who wouldn’t? Brightest colors, softest feel- what we...
read moreGliders, Burners, Builders and Blenders. Part 3
Gliders are the sprinkles on my cupcake. Pastels that are “gliders" are kind of special. They have this uncanny way of gliding over the top of other pastels making them great for deliberate mark-making…. Most gliders are machined (not hand-made) and that makes them...
read moreGliders, Burners, Builders and Blenders. Part 2
Builders Builders are my staple sticks. I think of them as the frosting on my cupcake. The delectable part. I am an “indirect" painter and so they have saved many paintings. “Direct" painting is how most oil paintings are handled. The exact color, temperature, value...
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